Monday, 8 February 2016

The Concept

This is a narrative piece based on the mythological story of Arachne. The photographs I have created represent for of the main scenes I have dissected from the story. First showing the initial confrontation between Athena and Arachne, the second showing the aftermath of the contest and the third and fourth displaying the transformation of Arachne from human into spider.







This concept is further explained in the ‘Idea Generation and Development’ page of my pre-production folder.

Sunday, 7 February 2016

Evaluation

At the start of the project I spent a lot of time thinking I was going to create something mythological, but I was spending too long trying to think of things I knew of. Being that I had never heard of the mythological story of Arachne, this gave me the wider scope and openness to ideas that I needed. In previous projects I have followed the path of thinking of a clear idea and then creating my artist research from that. However I found that that was only narrowing my source of influence and I was just taking all my influence from one or two photographers. Creating a wider scope has helped me to look more in-depth into photographers’ work, at their use of body language or emotion, or setting, rather than the whole frame. Although I have obvious influences from Gregory Crewdson and Annie Leibovitz, this style of research has led me onto taking research from artists such as Francesca Woodman, Martin Bell and Diane Arbus. These are artists I wouldn’t have previously looked at if I had gone through with my usual narrowed research.

Time management has been a crucial element that I have had to keep full control of throughout this project. In my other projects I have stumbled because I have underestimated how long photography shoots were going to take or leaving my models/location choice till last minute. Whilst securing my models in the first couple of week of getting the project, I also visited a large range of locations to ensure that my final location is perfect. Although I had some issues with one of my models being busy last minute for my first practice shoot, I was able to quickly resolve it and push it all back a week. I also ensured that my equipment was booked two weeks before a shoot was planned to take place, this not only gave me the ability to cancel it in enough time, but it also helped me to be able to book any additional equipment if needed.

Because the project was a visual representation of a non-lens based narrative, this meant that I already had all the information given to me in terms of story, costume and props. I however feel that I have been extremely thorough with my deconstruction of the story to ensure that I have packed as much visual information into each shot as I could. I used the story of Arachne that I had photocopied to highlight props and elements that I felt would be important to each scene, this gave every prop in my shots a purpose, rather than them just being unnecessary fillers. I then made sure I brought them in well enough time for the shoot.

The location itself was very hard to light due to its natural darkness of the room combined with the garishly overpowering light coming from the large barred windows. My use of lighting has overcome the difficulties of the room and shown the effective and cohesive skill that I have learnt during the lectures I have attended.

I was slightly hesitant about the post-production phase of the project, as I knew that my project was quite ambitious. However because of my thorough work to ensure that most of my effort was in-camera, I used this program for the majority of my editing as it was largely to do with areas of exposure or adding the slight vignette effect. I did however use Photoshop intensely on my final image of the narrative to layer mask over other version of the image to give Arachne the legs that is needed to have her representation the transformation from her human life into the spider.

To evaluate this project I would say I’m very proud of what I have created. Because I have come from a background that is largely videography, I feel I have produced work that has surpassed my expectations of my own photographic ability. I have not only created crisp clear photographs that I feel I am confident in displaying, but also am much more knowledgeable about other aspects such as lighting arrangements, the best photography equipment to use in certain locations and also which software I should use to produce the outcome that I want. More personally I have adapted my skills in time management, professional liaison, feedback response and also the style that works best for me when it comes to getting given a brief to complete.


Saturday, 6 February 2016

Revised Final Budget


After completing the final photo shoot, I have revised the budget. I have updated it with the addition of both the practice and final shoot, along with the extra props I brought.

Props –

I only had a few additions to my props, bringing the price up to £53.84, rather than the original £37.15, an increase of £16.69.

Dress (Spider Legs)
£10.41
Purple Dress (Arachne)
£5.49
White Poly-Cotton
£1.25
Gold String (Shield)
£1.40
Roman Helmet (Minerva)
£5.90
Silver Fabric (Shield)
£2.50
Weave
£3.75
Glue
£1.50
Brush
£0.50
Potion Bottle
£4.45
Rope
£4.99
Web
£11.70
Total
£53.84

Practice Shoot – 

Location £12.60
Hireacamera Canon Speedlite 580EXII Flashgun x3 £34.50
Canon ST-E2 Wireless Transmitter £7.50
Total £54.60


For the practice shoot I decided to use my own camera and lens, so I did not have to add an addition of the Canon 5D and lens onto this shoot.

Final Shoot - 

Location £0
Hireacamera Canon Speedlite 580EXII Flashgun x1 £11.50
Canon ST-E2 Wireless Transmitter £7.50
Pocket Wizard Bundle (Canon Fit) £19
Refelctor £6
Card Reader £6
Calumetrental Canon 5D £114
Canon 17-40mm £24
Lenslocker Canon Speedlite 430EXII Flashgun x3 £53.97
Total £241.97
For the final shoot, the manager allowed to do it without paying to use the building as there was building work going on (the work didn't effect my shoot). 

As well as the revised props costs and both real-world cost of the shoots above (£350.41), I also have to add in the real-world cost of the first practice shoot I did which I worked out on my first budget list (£363.20). The total of my real-world cost for the complete project would be approximately £713.61.

Because I was able to rent out all of the equipment, the actual cost of the project is calculated by adding the cost of the props with the cost of the location, coming to £66.44. In this calculation I have not included the two lots of £5 I would have had to pay for printing (proof and final prints).