Friday, 18 December 2015

Further Location Scouting


Although I had a strong idea that I was going to use the Bishop’s Palace as my photography location, I was given another location that was suggested to me that I should go and scout to see if I could use it as a location. As you can see from the screen grab below, it is set behind a lot of houses extremely close to a main road, although this was the case, I still wanted to scout it out and see its potential.






Once of the major disadvantages this location has is its geographical location, being that is it outside with little to no overhead protection, the shoots I have will be controlled by weather. Another aspect that I find a disadvantage is the graffiti that is spread over the walls, this will cause a huge distraction in my images and will also give it a contemporary feel, which will oppose the historical style I am going for. I am also unsure as to who owns the land, so would have to do further research into who owns it and when I am able to shoot on it as I don’t want to trespass on land.

Friday, 11 December 2015

Story Breakdown

As I have mentioned in my “Post-Presentation Thoughts”, I bullet pointed that I should re-look over the story and instead of taking five photos to show the morph from human to spider, I should pinpoint the principle elements of the story and convey them. Now that I have the location/models confirmed, I felt this would be the best time for me to do that.

Props (Red)



“Her father was a native of Colophon […] earned his living by dying wool with Phocaean purple.” This first prop is linked to the dress that I want to get for Arachne (Kathryn), although subtle, I think it can create a nice link from her to the story and also gives me a specific costume to aim for.


“The rock of Mars […] ancient contest that took place there.” This is the tapestry that Athena creates to contest Arachne’s skill.


“Europa, deceived by Jupiter when he presented himself in the shape of a bull” This is the tapestry that Arachne produces to rival Athena’s.


“She fastened a noose round her neck, to hang herself.” I could create the noose easily if I buy a length of rope around probably 2m long, however, it must be quite thick for it to look authentic.

“She sprinkled Arachne with the juice of Hecate’s herb.” Although I could use an actual herb, I feel that it would look quite pathetic in the grand scheme of the photo. I could use a small glass bottle that represents a type of ‘potion’ shape.

Story (Blue)



“She revealed that she was indeed Pallas.” Athena here has uncovered her disguise of the old lady. Although I could have an action shot of her flying of the wig and walking stick, I feel it would just cause a distraction to the audience. I want to break this down slightly and just do a pose from Athena that encases this idea of her challenging Arachne.


“The golden-haired goddess, wild with indignation at her rival’s success, tore to pieces the tapestry.” In this scene I would want to depict the act of Athena physically ripping the piece that Arachne has created. I initially thought about having Arachne on the floor whilst Athena rips the piece up. However I do want to diminish the power of Arachne, so I could do both Arachne and Athena pulling the piece (representing the battle between them both), contributing to the rip of the tapestry.


“But Pallas pitied her, as she hung there; lifting her up. […] Then as she departed, she sprinkled Arachne with the juice of Hecate’s herb.” Although this scene talks of Arachne hanging herself, I don’t think this is viable with health and safety being a potent factor, I could however imitate that Arachne has just hung herself. I would have Athena peering over Arachne as she lays on the floor, whilst Athena pours the potion on Arachne’s head to change her into the spider.


“Her slender fingers were fastened to her sides, to serve as legs.” This is the description of how Arachne morphs into the spider. For such a representation, I could create makeshift spider legs, which I could possibly attach to the dress in which to make her look as if she has changed over. I could also use irregular body positions to create a discomforting effect to the photo, which will in turn enhance the eeriness of the scene overall.

Model Profiles

When choosing my models, I first took to researching what both women in the myth looked like. After researching Arachne, I found that most people were tending to give her either dark brunette or black hair. This darker hair helps for it to blend in with the colour of the spider skin, thus creating more of an accurate visual representation of her being a spider. For Athena, I found that most photographs on Google showed her with the same dark brow hair, however after seeing her portrayed in such films as ‘Immortals’ (2011) and ‘Clash of the Titans’ (2010), she is shown to have golden blonde hair; I feel that the blonde hair gives her more of a godly aura.


Because the illustrative photo of Arachne from the story (fig.1) is in black and white, this was no help to me when picking my models hair colour, I found this painting named ‘Minerve et Arachne’ (Minerva and Arachne) by Rene-Antoine Houasse (fig.2). In this 1706 painting shows Arachne to have dark brunette hair, whilst Athena’s hair is of a golden blonde shade. I have decided to go with these two hair colour selections as my final choice.

(fig.1) Paul Gustave Dore,  Arachne, Paris (1867)

 (fig.2) Rene-Antoine Houasse, Minerve et Arachne, Paris (1706)

Emma Winton



Physical Appearance:

Age: 20
Height: 5’3
Size: 8
Hair: Blonde (Long, Golden)

Availability:

Wednesday (11am-5pm)
Friday (9am-5pm)
Sunday (10am-5pm)


Kathryn Hakk


Physical Appearance:

Age: 20
Height: 5’1
Size: 8

Hair: Brunette (Long, Dark)

Availability:

Friday (10am-5pm)
Saturday (10am-5pm)
Sunday (9am-5pm)