Medieval Bishops Palace -
I will be doing my practice
shoot in the studio to allow me the ability to use both tungsten light and then
flash. Thus giving me a greater understanding as to how they both look in
comparison and what I am going for. Although the studio is in a great location,
I wanted to generate a strong bond between my final chosen location with the
roman history and heritage behind the myth. Due to my knowledge of the city of
Lincoln, I know it has a strong roman heritage. Using the ‘visit-Lincoln’ I was
able to find the areas of Lincoln that still hold the wall and gates built by
the Romans when they founded Lincoln and built a fortress here. I chose three
areas:
This building was built in
the 12th century and was not actually part of the roman structures
they built. However I feel that the some of the brickwork of the walls surround
the building are starting to decay and fall, this creates the ancient and
historical feel I want within the background of my photo. The main disadvantage
of this location is the fact that there is no actual floor on the surrounding
wall, only grass. This won’t work well at all in the photo and although you can
cover it with a large carpet for example, the ground is still very unstable and
unsafe for my working condition. Being that it is also outside, it would have
implications on when I can do my shoots, I also cannot control the ambient light
at all.
Roman Lower West Gate –
This is my second location I
chose to scout, it is the West Gate that was used to defend the upper city of
Lincoln from around the 3rd or 4th century right up until
the 11th century. This Roman wall works perfectly with the history
and heritage I want from my location, but it also has the same disadvantages
the previous location had. The floor, although harder, it is very uneven and
worn down and it is also outside, posing the same restrictions of time. An
added issue with this location is the busyness of the location; it constantly
has people walking through it, as it is located just underneath the Lincoln
city hall.
After viewing these two
locations and them not being quite right for me, I decided that an indoor
location would give me the most creative freedom. Being indoors will allow me
to be able to have my shoot at any time that suites me, because I can control
where my light is going and how much ambient light I am permitting to enter the
frame.
The St Mary’s Guildhall was
the last location I chose to scout. The year of construction is unknown, but
they do know it was used in the Roman city to hold meetings for large
gatherings due to the way the rooms were built. I knew this would suit my
photography, as it would give me large spaces to use as a sufficient backdrop
for my photographs. Because this
location was inside, thus kept up to standards by the council, I used the email
provided by the ‘visit-Lincoln’ website to see if I was able to come and scout
the location.
This was the first room that
I visited that was on the bottom floor; below the carpet you can see in shot is
part of the historical roman road that runs through Lincoln. I loved the
brickwork that followed largely round the room; it gave the room a very
authentic feel that would be perfect as my backdrop. The bricks are mainly from
the original build, however had some recent work done to repair segments.
Although I would love the brick backdrop, I felt there was a little too much
going on with hanging and windows that would be in shot if I were to use this
room; they would be a large distraction.
I also feel this room isn’t quite the ‘grand’ rooms I was expecting
after reading that the rooms were used for large gatherings of important
people, I wanted to have a room that had large high ceilings that will stop the
illumination of the flashes that you would get with a low bearing ceiling.
Due
to the age of the building, a lot of it isn’t safe to go into, this meant that
this was the second and last room I was able to look at. This was exactly what
I was imaging in terms of space and design. Although there was contemporary
work on the roof (as shown in the wider shots,) the pillar on the back wall was
a perfect example of what I was looking for.
Whilst
I visited this location, I made sure I had my Canon 550D rather than my phone
(which I had in my other locations.) This meant that I could get a greater
vision on what the frame would actually look like. I believe the photo above
shows the best use of the room; it incorporates the gorgeous stone wall with
the powerful pillar in the centre. Although the floor is a bit more
contemporary than I had hoped for, however I feel it will work well with a
flash system to bounce a bit more light compared to a carpet or rug that will
suck in the light. There is a lot of room either side of the frame too for
lenience, also for me to set up the lights without them being in shot. The pillar
would be important to use as a central figure, in this photo I haven’t managed
to get it central, so this will be key when doing my proper photography shoot
here. There is also a small ledge you can see just at the bottom of the pillar,
this can be used to hold a couple of props without them being sprawled on the
floor.
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